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Dagger Kkila
Dagger Kkila discovered his artistic calling at a young age. He quickly joined forces with his comrades Bruno Raya (Master Kool B), Jean-Clario Gateaux (Blakkayo), and Kensley Lafolle (Tikkenzo) to establish the legendary group known as Otentik Street Brothers (OSB). This group, which has now endured for over three decades, served as the fertile ground for the hip-hop movement’s emergence in Mauritius.
As a member of OSB, Dagger Kkila played a pivotal role in fostering the growth of this urban culture on the island. The group set stages ablaze in Mauritius and even across Europe, taking part in numerous reggae festivals. Their infectious energy and impactful lyrics have resonated with the hearts and minds of countless fans.
Today, he paves his unique musical journey alongside his band, The Soul Freequency. Dagger Kkila is a skilled songwriter and composer who has regularly expressed his concerns about the problems facing Mauritian society. He carefully crafts his lyrics, pairing them harmoniously with well-selected music to touch the depths of the soul.
His compositions, including “Zistwar Nou Ti Zil,” “Koz Sa,” “Die Babylon,” and “Perseveré,” all bear witness to his talent for captivating and stirring emotions. His music has evolved into the voice of social issues, offering an authentic portrayal of the Mauritian reality.
On stage, Dagger Kkila is a burst of energy. He embodies both the youthful enthusiasm and the experienced wisdom of a singer. His magnetic presence captures the audience’s attention and transports them into his special world. He seamlessly blends singing, dancing, leaping, speaking, and guitar playing with contagious enthusiasm.
When Dagger Kkila performs live versions of songs like “Vitamin M,” “Masinn Fer Danser,” and “Jahgann,” he becomes a formidable presence. His charm and musical talent establish him as a vital figure in the Mauritian music scene, someone who champions honesty and embodies resilience. Dagger Kkila’s name is bound to be remembered in Mauritian music history for generations to come.
Dagger Kkila Biography
Dagger Kkila discovered his artistic calling at a young age. He quickly joined forces with his comrades Bruno Raya (Master Kool B), Jean-Clario Gateaux (Blakkayo), and Kensley Lafolle (Tikkenzo) to establish the legendary group known as Otentik Street Brothers (OSB). This group, which has now endured for over three decades, served as the fertile ground for the hip-hop movement’s emergence in Mauritius.
As a member of OSB, Dagger Kkila played a pivotal role in fostering the growth of this urban culture on the island. The group set stages ablaze in Mauritius and even across Europe, taking part in numerous reggae festivals. Their infectious energy and impactful lyrics have resonated with the hearts and minds of countless fans.
Today, he paves his unique musical journey alongside his band, The Soul Freequency. Dagger Kkila is a skilled songwriter and composer who has regularly expressed his concerns about the problems facing Mauritian society. He carefully crafts his lyrics, pairing them harmoniously with well-selected music to touch the depths of the soul.
His compositions, including “Zistwar Nou Ti Zil,” “Koz Sa,” “Die Babylon,” and “Perseveré,” all bear witness to his talent for captivating and stirring emotions. His music has evolved into the voice of social issues, offering an authentic portrayal of the Mauritian reality.
On stage, Dagger Kkila is a burst of energy. He embodies both the youthful enthusiasm and the experienced wisdom of a singer. His magnetic presence captures the audience’s attention and transports them into his special world. He seamlessly blends singing, dancing, leaping, speaking, and guitar playing with contagious enthusiasm.
When Dagger Kkila performs live versions of songs like “Vitamin M,” “Masinn Fer Danser,” and “Jahgann,” he becomes a formidable presence. His charm and musical talent establish him as a vital figure in the Mauritian music scene, someone who champions honesty and embodies resilience. Dagger Kkila’s name is bound to be remembered in Mauritian music history for generations to come.
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